Tuesday, October 30, 2007

I'm still alive

A banker of unverified (but probably good) repute had remarked that I should pick up financial derivatives as it would give me good employability.

This is a good sign, although my current readings of derivatives will not even qualify as a fleeting caress. The meaning of ‘pick up’ here is probably closer to ‘study masters in finance and specialise in.’

I’m still caressing the derivatives...


***


In other news, I have received my air ticket in the mail.


Super-Takumar 50mm/1.4, wide open. Image cropped.
Note the inch-thick depth of field on this baby.

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Sunday, October 21, 2007

Jayco Herald Sun Tour 2007



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Jupiter 9 85mm/2.0, exposed at f/4 and 1/160 s. Large aperture allowed shallow depth of field, and brightness was regulated using stacked polarisers.






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Super-Takumar 135mm/3.5 at full aperture






Super-Takumar 135mm/3.5 at full aperture






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Jupiter 9 85mm/2.0 exposed at f/2.8 or thereabouts






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Super-Takumar 135mm/3.5






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Meyer-Optik Görlitz Lydith 30mm f/3.5 exposed at f/11 or thereabouts.
"Check out the saturation on this baby!"




With some planning, one can get away reasonably well with not having an ultra-fast ring USM autofocus. Or any autofocus at all.

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Saturday, October 20, 2007

Using DOF indicators on small-frame digital SLRs

Almost all manual focus lenses include a depth of field scale showing the region that would be in acceptable focus.

These DOF scales are designed for film cameras, and will give erroneous results when used with a small sensor.

To find out how to correct for this error in sensor size, it is necessary to look at the mechanism in which the depth of field is produced. The near and far limits of the region in focus are estimated by the following equations:



Where:
DN and DF are the near and far limits of the field of focus
f is the focal length of the lens
s is the distance to the subject
A is the aperture number
c is the radius of the circle of confusion.

The circle of confusion requires a bit of explaining:
If an image is in focus, a point on the subject is projected as a point on the sensor. But the image is out of focus, a point is projected as a circle of light on the sensor. If this circle of light is sufficiently large, then the image will be visibly out of focus. For everything that lies between DN and DF, the circle light projected onto the sensor is smaller than the circle of confusion, and so remains in acceptable focus.

The circle of confusion is directly proportional to the sensor size. Thus c can be written as kZ, where Z is the length of the sensor.



As the equation shows, changing Z from 36mm to 22.5mm (APS-C sensor size) will change the depth of field in a manner that cannot be estimated quickly. Another approach is taken.

Say that we have the subject, and the focal length is fixed. We also know the depth of field that we want. Thus everything in the above equations are already fixed with the exception of A (the aperture size) and Z (the sensor size).

Conveniently, A and Z only appear once in each equation. Even better, they are multiplied together with other terms.

Thus, if the depth of field, subject distance and focal length are fixed, the product AZ needs to be constant.

For 36mm film, a certain aperture (which we will call A1) will be used.
For a 22.5 mm sensor, a certain aperture (which we will call A2) will be used.

Recall that AZ needs to be constant, then:

36 x A1 = 22.5 x A2
A2 / A1 = 36 / 22.5
A2 = 1.55 x A1

To maintain the same depth of field as a 36mm film camera, the aperture on an APS-C camera needs to be 1.55 times the aperture on a 36mm camera.

And here comes the most useful approximation:
1.55 is very near to 1.414. This magic number 1.414 is the ratio between one stop of aperture.


So, when reading the DOF scale on a manual focus lens mounted on an APS-C camera, one simply reads the scale for an aperture value that is one stop brighter than the actual value set on the aperture ring. This correction of one stop is not perfect, as 1.55 is not exactly 1.414. The error is that the depth of field is slightly more than what this one-stop correction gives.

For the Four-Thirds system (Olympus, Panasonic and Leica), the sensor size is 18 mm, exactly half of 36 mm. The correction that needs to be applied is to multiply the aperture by 2 - one simply reads the scale for an aperture value that is two stops brighter than the actual value set on the aperture ring. In contrast to the APS-C estimate above, this correction is conveniently exact.

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Friday, October 19, 2007

Poke



Poke

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Jupiter 9 85mm/2.0, exposed at f/5.6 or thereabouts

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My latest source of orgasms is video clips of huge airliners landing in strong crosswind.



Aircraft generally fly straight in the air. However, when the air is moving with respect to the ground, observers on the ground may see the aircraft drifting sideways. To track the landing strip, the plane would have to be turned into the direction of the wind to counter the sideways drift.

Hence the magnificent views of these majestic things sliding diagonally into the runway. At the interface between two inertial reference frames, the plane twists to point in its new direction of travel and rapidly drops onto the tarmac, thus completing the transition.


***


My other fixation is the end of the year.

On the 25th of November, a cousin will be dropping by in Melbourne. I’m looking forward to seeing her (and her mother), haven’t seen them since May.

Then the year-end break comes. That will probably involve a lot of travelling; at the moment, the agenda is Melbourne – Kuala Lumpur – Singapore – Kuala Lumpur – Hong Kong – Kuala Lumpur – Kuching – Kuala Lumpur – Melbourne wtf.


***


On Monday, work brought me to a glass manufacturing company’s warehouse. It was... full of glass.



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Meyer-Optik Görlitz Lydith 30mm f/3.5





Meyer-Optik Görlitz Lydith 30mm f/3.5

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Sunday, October 14, 2007

Fun with a flashgun - balancing strobe and ambient light

The objective of this exercise is to expose the background (in this case, the sky) to a desired brightness while controlling the flash intensity to expose the subject properly.

Because I don’t have a willing victim to experiment on, I borrowed the housemate’s figurine for this exercise.

The figurine is rather small, about 10 cm in height. It had to be a close focus shot, resulting in very shallow depth of field. The flare of lights in the background are lights from the port a few km away and the view in the sunset-direction was dominated by antennas.



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Super-Takumar 50mm/1.4, wide open.






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Super-Takumar 50mm/1.4, exposed at f/5.6 or thereabouts. Cropped.


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Saturday, October 13, 2007

Finally, some words for this blog



Mini

Probably taken with a Jupiter 9 85mm/2.0 wide open for the shallow depth of field and fuzzy highlights. White balance was tweaked to retain the evening sunlight’s colour. Needs a CRT monitor to view the colours; the warm cast is not rendered properly on some LCD monitors.





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Super-Takumar 50mm/1.4 with an extension tube, exposed at f/4 or thereabouts. Slight vignetting was artificially introduced to isolate the subject.





He flipped through the book quickly for a cursory preview of its contents. Blocks of text, graphs, charts and equations tumbled before him, resembling the churning of wet concrete in a concrete mixer. Together, the text, figures and concrete gave him a very brief summary of International Finance Management.

There was a fleeting flash of blankness where the tumbling action flipped past two pages where a sheet of paper had been slipped in between. He stopped flipping to extract that interstitial sheet of paper.

It was a fragment of the book’s previous owner, an exam timetable. A realisation hit him; time stopped.

Someone else used to read this book.

His mind scrolls back, like a Turing Machine pulling the ticker tape back to review past marks. Slowly, hazy memories resurface and come into focus.

The Accountant used to own this book; technically she still does as it was merely loaned to him. He had not seen her two decades, since they parted ways in the late 2000s.

Ah yes, 2007. It was the year that dream-chasing took them down separate paths; the divergence was bittersweet.

“I wonder what she is up to…”

He rang her 25-year-old telephone number.


***


“What a strange dream…”




Finally, the Nikon SB-25 is here. Combined with a wireless trigger, the blinding pulse is extremely useful for just about anything. Repeated the smoke photos using a much smaller aperture for greater depth of field.




Vortices

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The neighbour has an evil-looking Ducati with carbon fibre everywhere and a collection of ducts feeding and cooling its engine. This is its chain drive.




Drivetrain

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Saturday, October 06, 2007

City views from a tower



Melbourne Skyline

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Dusk

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Super-Takumar 135mm/3.5





Lines

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Super-Takumar 50mm/1.4

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Friday, October 05, 2007

Monochromatic vortices




(Yin)

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Super-Takumar 135mm/3.5







(Yang)

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Super-Takumar 135mm/3.5

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Monday, October 01, 2007

Photography updates



A Morbid Curiosity

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Is that God?

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